What's On: OUAT "Souls of the Departed"

WARNING, SPOILERS AHEAD....
HAPPY 100TH EPISODE OUAT!


Ok, I really don't know where to start with how much I really enjoyed tonight's episode!

I knew Adam and Eddy were going on about how it was going to have a season 1 feel to it, and it really did! It also gave us an answer as to how Henry Sr wounded up in Wonderland! I thought the plot moved very fluently and never skipped a beat! Sure the cameos were quick, but it was still satisfying! My favorite guests moments:

1. The Blind Witch (Emma Caulfield) running the Underworld Granny's and offering children or Gingerbread. I'd go with Gingerbread, it's easier to come by.

2. Henry Sr. (Tony Perez) meeting Henry Jr. and assuring Regina that she had made him proud.

3. Cora (BARBARA HERSHEY!!!!! Sorry, can you tell I'm a Hersh fan?) Cora'ding Snow as Henry Sr. It's been a long while since we were blessed with a Cora'd (Cora pretending to be someone else) moment!

The throw back shots to the first episode would totally make any huge Once Upon A Time Fan squeal with delight (or was it just me?)! The Candle shot! THE CLOCK MOVING! I was blown away by how much they not only wanted to reference in the story with dialog but also with the visuals!

Emma and the crew took a back seat tonight while the episode focused on Regina. It was a breath of fresh air after the entire first half of the season being about Emma and that annoying Captain Guyliner. Sorry, I mean Hook.

What I mean to say is that it seems since the writers went and put Regina on the sidelines to start further developing Emma, Regina had to pay the price. While she was still in the episodes, she wasn't really built on.

Instead they just focused on her very forced upon us relationship. Sorry Outlaw Queen shippers, I can't back it. I've tried and I can't. But, now that we're in a place where most of those poor happy less souls are were put there by Regina; I am glad to see her being given something to actually do besides make doe eyes at Robin all day.

There's just two little complaints I have.

One. If everyone in the Underworld has unfinished business why does Emma have to constantly think she needs to stick her nose where it doesn't belong? Her big "I must save everyone." speech at the end just sounds like those times when your nosy neighbor decides to stick her nose over the fence and get in your argument that you are privately having. I feel like the save everyone task is just really going to get out of hand.

That said, I wonder what the Blind Witch's unfinished business is? Is it deciding what to use? Gravy or Butter?

Two. I still really can't with Hyades and his CGI hair. Lose it! He came on screen and was so badass with the attitude and suit. You knew who he was the minute Cora stepped off the elevator and was scared shitless! Giving him the gimmicky hair just really takes away from how scary he can be. Also, it just looks really bad.

I did love how Cora was his Meg character though! How Hyades used her and manipulated her to get Regina out of the Underworld. It was very similar to how he used Meg in the film to get to Hercules. It reminded me of that time in the first season when Rumple was really the Beast to Belle's Belle and there wasn't no direct reference to it, or cheesy dance scene with the films musical score (yeah, I'm making fun of your use of that because god that was fondu cheese). Instead you had the basics for a story as old as time, and the hints with Rumple's characterization hinting him being the Beast. It wasn't so on the nose as the past few seasons have been.

I digress, but I'm back and as I was saying... Cora as Meg is a bigger and better choice then actually getting someone else to be Meg. I know it's going to happen and I know we're also getting Hercules. I just wish you could make Cora Meg and have Regina's goal rescue her making HER Hercules. THAT would be a true throw back to season one... when the show actually attempted to retell fairy tales in cool ways and not just remake the Disney films.

That said, I look forward to seeing what the rest of the Underworld storyline has in store for us. I also really hope to see more. Now if you excuse me I need to go track down screencaps for Cora's "Miller's Daughter" look from tonight because that was SO FREAKING AWESOME and very much, "Cora, go to your room!"

"Breakfast of Champions" (1999)

What?
The?
 Hell?
 Did?
 I?
 Just?
Watch?

I seriously can't write let alone try to digest this film. I thought "The Staircase" was bad for being over dramatic. Well, this felt like someone wrote it and directed it while on a major Acid trip.

I think it was about a car dealer who is going through a midlife crisis. I think. I really couldn't actually understand what was going on because I had no clue what was happening.

Really, the only thing that made this worth watching was to see Barbara Hershey dress in a lumber jack's hat, fur coat, and rainboots and take to walking down the street. That's it. That is all she wrote.

"The Staircase" (1998)

So you know how in the 90's there was that major resurgence of Westerns? Well, this kind of falls under it.

The film is based off of a really interesting story. In a church somewhere in Santa Fe, California there is a spiral staircase that was made and still stands that baffles people still to this day. It was made using no nails and no support beams.

If you go research the actual church and the story behind it, it's very interesting to read the sister's stories. Sadly, because this film was just one big over the top, try to take itself way to seriously mess, that interesting part got overshadowed completely by an awful script.

And by awful I really mean awful. Half way through I was trying really hard not to roll my eyes so hard for fear of straining them. There is an argument about allowing this guy to build the staircase (that they originally FORGOT to put in in the first place) that escalates so quickly that you could have blanked and BOOM, it's at the point where one guy shoots another guy... over the subject of the staircase!

No over the top movie would be complete without someone dying of cancer. Really, why wasn't this film on Lifetime? Our cancer victim this time is the Mother Superior (Barbara Hershey). Her ultimate goal is to have her church completely finished (staircase and all) before she dies. In the world of cliche finales she climbs the finished staircase complete with over the top score music (with someone actually playing along on the piano), falls but succeeds in getting to the top and just when you wish they would start playing "Stairway to Heaven" she dies dramatically in the arms of a young boy.

I can't any more. The things I do to reach a goal. This film could have had so much greatness, and have been so amazing if it was just written better. I can't even fault the actors who tried really hard to make it work because you can see that they tried. But seriously, I'm going to quote my roommate right now, "Barbara Hershey needs to come over and give me a massage."

"Frogs for Snakes" (1998)

I've hit the independent film streak and boy oh boy did this scream independent. Not to say that was a bad thing, it's not but it was certainly different.

The basic story is Eve, an actress by day and collector by night, decides she wants more for her life and wants to give up both acting and collecting and move away with her young son. Before she can do that, she must help Al (her ex-husband) locate money that has been stollen from him.

That's the basics of it. Going even deeper there is a subplot involving Al's upcoming production of "American Buffalo" and how everyone is going completely crazy trying to be a part of it. This film is huge with acting down to the point where someone would be speaking for actual dialog but then break out into a monolog. This really caused me to question quite a few times as to if it was the character speaking OR the character acting as another character, saying a particular speech from a play.

Good grief. Too much thinking.

Don't get me wrong though, Hershey's performance was so spot on that even when she broke out into a monolog you cared for what she had to say and you felt for her. I was routing for her the entire time and moved by some of her speeches.

It's certainly a dialog driven film.

"The Portrait of a Lady" (1996)

I had seen this movie twice before and every time it was hard for me to pay attention. For my third viewing I went in with an open mind and by with a few seconds of the opening credits fully realized how much I actually never understood the film. Was it because I was too young to fully appreciate it? Was it maybe perhaps I was distracted by my surroundings every time I had attempted to watch?

Either way, finally with this viewing I was able to appreciate this film for much more than how it looked (and trust me the costume porn is phenomenal!). I finally realized just how tragic these characters and the story are.

A young woman (played by Nicole Kidman) comes into a fortune from her uncle. At the same time she befriends a woman (Barbara Hershey) who introduces her to an artist (John Malkovich). Together Hershey and Malkovich's characters come up with a plan to play Kidman out of of her fortune. The rest is their twisted plan unfolding and Kidman falling more and more into becoming a woman whom she would have never seen herself becoming and is everything she could never stand.

I did find the pace slow, but I actually found the characters a lot more intriguing and was able to understand their motivations a lot more this time around. It really does prove that as you get older and learn about the world your view on films change drastically. Before where I had a strong dislike for Hershey's character, I now found a sadness and wanting for her to come out on top. I believe she did what she did with good intentions but the execution was poorly done and in the end she and Kidman's characters paid.

"The Pallbearer " (1996)

Wow did it take me a while for me to actually really get involved with this film. Actually, I cared about Barbara's character but that's because I was going into this film for her. I'm not really a fan of anyone else so when ever someone who wasn't her was on screen it was hard to really pay attention.

The story itself was one to really try to swallow. A mother of a recent suicide victim mistakes one of her son's high school classmates for being her son's best friend and asks him to be the pallbearer for his funeral. Instead of correcting her he agrees and soon a simple request turns into a complicated relationship. Meanwhile, he is also trying to get his high school crush to fall in love with him.

Really the parts I love the most of this film are any scenes that involve Barbara or Carol Kane, who plays the main character's mother.

"Last of the Dogmen" (1995)

"Beaches" may be one of my favorite movies BUT "Last of the Dogmen" is by far my favorite Barbara Hershey film!

After a group of convicts go missing in the woods a tracker is hired to find them and bring them back. He gets much more for what he bargained for when the men are killed by something mysterious. While researching what may have caused their disappearances he stumbles upon a group of Dogmen, the last of their tribe and with the help of a Native American History professor they attempt to save them from extinction.

I love the story, and I love the cast! Most of all this is by far my favorite character that Barbara has done. Sure, I've seen roles where she's amazing but this one really allows her to have a great stride as the sassy History Professor. She may be the "romantic lead" but she's also a strong character on her own! She's completely able to hold herself and steals every single scene she's in. I remember seeing this for the first time and by the end of it I was completely wanting to be like her character.

Sure, it has its flaws. There are some plot holes that after my millionth viewing I have begun to notice, but the film is just so enjoyable you kind of forget that they're there.